Holy shit, guys and gals. It’s my 200th B-Movie Enema.
I’ll get to the more serious shit at the end of my look at this movie to try to sum up how it feels to be 200 enemas old. But I can say this – it doesn’t hurt nearly as much as you might think. In fact, I think I’m starting to like it.
So this week’s piece (of shit) is all about Samurai Cop 2: Deadly Vengeance. Frankly, I almost have to talk about this movie. Everyone in the world, for the past several years, have talked about Samurai Cop. It’s an infamous bad movie. However, if you come here each week to read about these goddamn movies, you know all about Samurai Cop. If nothing else, you’re aware of it or have seen clips from it. It’s Ed Wood famous. It’s mind-boggling in its structure and the way it plays out.
It’s simply glorious. Continue reading “Samurai Cop 2: Deadly Vengeance (2015)”
It’s another week here at B-Movie Enema and I think I worried I went too long before covering another Vinegar Syndrome release.
So I’m here to fix that with this week’s movie, Party Line! This 1988 flick had a provocative cover of a sexy girl in lingerie with a phone line wrapped around her leg and torso. It was a memorable movie cover to see in the suspense/thriller section of the video store. The movie basically plays to the 80s exploitation of sexy thrillers. This was perfected probably best in the 90s with movies like Basic Instinct, but these little indie flicks toyed with the idea of mixing sex with murder.
This flick features a rich brother and sister psycho combo. She lures men through a party line on the phone for her brother to kill them. You have Richard Hatch playing a detective who is going after the killers. And then there’s Richard Roundtree playing Hatch’s captain. Continue reading “Party Line (1988)”
It’s another Friday, so that means NEW B-MOVIE ENEMA DAY!
This week, I have something a little more recent and from a group I’ve come to greatly appreciate. The Sleeper is a 2012 slasher/thriller from Gamma Knife Films and Scream team Releasing. It was written and directed by Justin Russell. It’s meant to emulate the style of low budget slashers than ran wild after the release of 1978’s Halloween and 1980’s Friday the 13th.
Quite frankly, the 80s are in right now – in a BIG way. More on that shortly. First, though, let’s talk about Scream Team Releasing. Continue reading “The Sleeper (2012)”
Happy Bloody New Year (a few days late), my Enemaniacs!
You might be wondering, “Geoff, what’s up with all this festive cheer and shit?” Well, don’t worry, fellas and lady fellas… I just had to clear some slates before I got buried beneath a load of movies I always want to write about but don’t have a particularly perfect timing to do so. Besides, this does check a couple extra boxes for me:
- Another Vinegar Syndrome release
- Another Norman J. Warren joint
So yeah, as you might have picked up by reading this blog over the past couple years, I buy a TON of Vinegar Syndrome releases. They are a marvelous purveyor of cult classics, nearly forgotten gems, and exploitation. These are things I am particularly in favor of. So I had to help clear some of that backlog before I can get to some of the other finds I’ve picked up at various conventions and what have you. Continue reading “Bloody New Year (1987)”
Cannon Films… You son of a bitch!
It’s been a bit, Cannon. How have you been, you ol’ salty dog? Way back at the start of February, we went on a Hospital Massacre together. I thought I said something wrong to not see you for a while, but here you are to help me wrap up the year. You’d have almost thought that last week’s Christmas Evil would have been one of yours, but you have a much, much worse mov… er evil – New Year’s Evil!
Oh man… For about 3 years, I’ve wanted to talk about New Year’s Evil. It’s actually a movie I enjoy watching at the end of the year. Is it because it’s good? Nah. It’s because it’s actually really dumb and kind of pointless. But it’s a good mindless numbness I need as Christmas is over and the new year approaches. Continue reading “New Year’s Evil (1980)”
Ah… Religion, iconography, and moral panic. Welcome back to B-Movie Enema all you nutty, repressed, goofballs!
When coming to picking a movie that could tie into the Christmas holiday (as well as the general winter theme), I guess I could pick from several that the 80s and 90s offered up. However, I should probably just go one that was sort of at the forefront of some controversy right at the start of the raddest decade of them all – Christmas Evil.
I will try to frame this as best as I can because people get pretty silly over horror and have consistently over the years. I’ve mentioned before that satanic panic ran rampant over the late 70s and all throughout the 80s. Some of that still persists today over the things that were stigmatized during that era. But what was stigmatized and why? Continue reading “Christmas Evil (1980)”
Every now and then a movie suddenly finds its audience. Take The Rocky Horror Picture Show, for example. Sure, it didn’t find that audience immediately, but within a couple years of release, the mega fans were showing up at midnight showings in costume and so forth. With the advent of home video and the explosion of home entertainment via cable and a video rental store in almost every strip mall as well as even grocery stores, movies that didn’t do so well in theaters suddenly had a second life.
Then comes this curious little direct-to-video movie called Tammy and the T-Rex. Aside from it featuring two very young, and very pretty future stars in Denise Richards and Paul Walker, it was relatively overlooked as a low budget teenage romantic comedy.
However, in recent years, it’s been rediscovered… Continue reading “Tammy and the T-Rex (1994/2019)”
Well, I guess you could say 2019 on B-Movie Enema was “the year of Zombie” as I talked about Lucio Fulci’s first Zombie movie from 1979 back in January and then Zombie 3 from 1988 came along in April. Before we close out this year of Zombie, I should get to Zombie 4: After Death (also just known as After Death).
What makes this movie noteworthy is that it’s the first Zombie movie that goes without input form Lucio Fulci himself. You can say that Zombie 3 didn’t seem to be that much of a Fulci flick itself, due to Fulci leaving the production due to illness, but he’s still given credit for the movie (whether or not he wants to have it). What is a holdover from the previous installment is the duo that brought us the amazingly disastrous masterpiece that is Troll 2, Claudio Fragasso (listed as the director) and his wife and co-conspirator Rossella Drudi (credited as lone screenwriter).
So I guess you can say that we might be heading down a pretty interesting path in today’s B-Movie Enema. Continue reading “Zombie 4: After Death (1989)”