Subspecies Month marches on!
With Subspecies being another hit for Full Moon Features, it was clear that a sequel was indeed needed. So, two years later, Full Moon released Bloodstone: Subspecies II picking up directly after the conclusion of the first chapter. Because this is being featured on this blog, and the dreaded specter of the Angel series still haunting me, you better believe there are casting changes here.
(And yes, that Angel specter is still constantly reminding me there is a fourth film I have yet to cover. It haunts my dreams, man. It’s a constant reminder of my failings in life. This devilish Angel will not be appeased until I finally cover it. Just hold tight and I will get there in time. In fact, sooner than you know.) Continue reading “Bloodstone: Subspecies II (1993)”
It’s been a little bit since I really dug deep into some vampires for an extended period of time. It’s also been a while since I looked at a movie from Full Moon Features. So, how do I propose to fix that? BOOM! A whole month of Subspecies movies!
So here we are, the 1991 Full Moon feature, Subspecies, starring Anders Hove, Laura Tate, and the beloved Angus Scrimm.
Let’s think of the title of this series for a moment – Subspecies. As a word, it indicates that there is a species that are, I dunno, like living below other species. You know, SUBspecies? Well, yes, this is a vampire movie. Yes, it mostly takes place in the Carpathian Mountains. That means this nebulously revolves around the legend of Dracula. But what makes this movie a little different is the title creatures themselves – the Subspecies. These are little goblin guys who serve our lead vampire, Radu (Hove). Continue reading “Subspecies (1991)”
Let’s get back into some good ol’ fashioned weirdo 80s horror, courtesy of Vinegar Syndrome! I swear, 2019 should just be called “The Year of Vinegar Syndrome” for B-Movie Enema. Looking back and ahead, I’ve got so many VS titles on my calendar, I should start asking for official sponsorship!
This time around, it is the French-produced, shot in Florida Nightmare Weekend from 1985. Apparently, we’ve got ourselves something special here – head explosions, softcore sex, bikers, rollerskating, telepathic puppet… And Dale Midkiff of Pet Sematary fame. Just when I thought I would be all in with weirdo horror movie made in Florida, the weirdo horror movie of a state, you had to toss all the rest of that jazz into it, too? Continue reading “Nightmare Weekend (1985)”
Back in January I covered Lucio Fulci’s masterpiece in undead horror – Zombie. It’s fitting that I now look at its sequel, Zombie 3.
Wait. Lemme check something. 1. 2. 3… 4. Gotcha. Okay, the math checks out there. What are those titles again?
Zombie… Zombie 3…
Oh, goddammit, it’s Italian. Of course the sequels are all fucked. Continue reading “Zombie 3 (1988)”
Damn you, Vinegar Syndrome…
You release so many movies that I need to not only see, but also write about in near manic volume. This time around, not only do you have me at a movie that I remember seeing constantly at video stores in the 80s and 90s, but you also have me going all in on an anthology flick. This is new levels of villainy, VS.
But not only that, this week’s feature, Night Train to Terror, is infamously known as being among some of the hammiest and worst cinema could possibly offer. What’s curious is that this movie isn’t without some interesting people. There’s B-Movie awesome guy, Cameron Mitchell. That seems pretty solid. I’ve seen lots of his work. There’s also John Phillip Law. He was in Barbarella. Together, Law and Mitchell were in Space Mutiny! How could this possibly be bad? Continue reading “Night Train to Terror (1985)”
When people find out I write a blog about movies, naturally they ask questions about what kinds of movies I discuss. They may ask, “Do you write about the art of cinema?” or “Do you talk about the films of [insert artsy-fartsy director name here]?” or “You talk about that there Grinch movie from 2000??? I liked that movie somethin’ fierce!” Normally, it comes down to me saying I write about B-movies, and that I’ve done it almost 150 times. That usually spurns the question, “So… Can you explain what those movies that you watch are like?”
To which I can give only this response: “They Bite.” Continue reading “They Bite (1996)”
Let’s talk about Norman J. Warren.
He’s someone who I’ve yet to really feature on this blog, but I will be correcting that big time from this point forward. He’s a British filmmaker who was always into the movies growing up. His films were often deemed part of British “New Wave” Horror. Basically, taking what Amicus and Hammer did with sexuality and gore and pushing it a little further for the end of the 70s and beginning of the 80s.
His movies are really interesting – and, in my opinion, actually fascinating and fun to watch, if not good. He seems to have ideas, even if what he starts with isn’t that groundbreaking. Want to tell a ghost story? Well, he’ll tweak it here and there and include a time element and give you Bloody New Year. Want to tell a story about an alien coming to Earth? Well, how about we throw in abuse and a lesbian couple and a sinister reason for the alien to be here and give you Prey. How about yet another alien story, but this time include impregnation and have the mother of the new alien/human hybrid become murderously protective of the monster? Yeah, we’ll call that Inseminoid. Continue reading “Terror (1978)”
You know what I haven’t had in a while? The sudden urge to kill myself out of utter desperation.
Er… I mean a Cannon Films movie. I… Um. That’s what’s I meant. Uh… Anyway, one thing that you can definitely say about the Cannon gurus Menahem Golan and Yoram Globus is that they sure think they know what people want. In the example of X-Ray (aka Hospital Massacre), they assumed we all wanted a slasher film in a hospital with a hot babe.
Their assumptions were right, but we also kind of want some sort of story that makes sense. Is that here in this movie? No? Yes? Not really? Continue reading “X-Ray (aka Hospital Massacre, 1982)”